Showing posts with label middle east. Show all posts
Showing posts with label middle east. Show all posts

Wednesday, October 26, 2011

Carving our own path: the pursuit of LGBT rights in the Middle East - by Eli Abu Merhi

From MSMGF Blog

October 17, 2011

Carving our own path: the pursuit of LGBT rights in the Middle East

It has now been nearly 40 years since the gay liberation movement began in the West. We have four decades on which we can look back, study how far things have come, and examine the major changes that have taken place. Changes have occurred not only in the definition of our rights, but also at the cultural and social level. There is certainly much to look back on.

When one takes account of the major victories that have been achieved across many countries like the UK, South Africa, the Netherlands, Spain and the United States, one feels it is time to raise a glass and celebrate. Yes, this is good! One should celebrate such momentous progress and achievements. Yet, one must also reflect on the path to these victories, seize the lessons of how such progress took place, where it fell short, and why.

It is this kind of examination that holds the most value as we look to the experiences of these countries for lessons for our own movements. I am a gay man living in Lebanon, a country in a region that has seen no shortage of social change in recent years. As we push forward in pursuit of LGBT rights in our own countries, it is tempting to take cues from what has come before us in other parts of the world. Sometimes this is very helpful, and sometimes the unique social and cultural landscapes of the Middle East require us to look inward, to devise our own advocacy solutions tailored to who we are, to our relationships, and to our societies.

The media presents a strong example of the necessity of a different approach in the Middle East. In some countries, homosexuality has become a selling point in marketing. For example, the very successful American television series "Modern Family" features a gay couple living happily with their adopted daughter in the suburbs of Los Angeles. A number of TV spots have done the same thing, using the image of "gay" to sell products.

The depiction of homosexuality in the Lebanese media has been markedly different. Some companies have used gay characters in ad campaigns – for example, a Lebanese cheese brand has used a gay man in their television ads – but they approached the topic in a humorous way, using the character as a source of entertainment rather than creating a figure the audience could identify with.

Television programs that have tried to depict homosexuality in a less comical, more genuinely positive light have run into a different kind of road block. UNAIDS recently attempted to shoot a documentary for a Lebanese TV program to promote a "good image" of homosexuality, emphasizing the importance of family acceptance and support. The producers indeed found gay men in Lebanon who were out to their families and enjoyed family acceptance. But, to the surprise of the producers, very few of them agreed to appear on the program. Not even facial distortion or other identity protections could convince them otherwise.

Why this reluctance to appear in the program? Because their families were not ready to face their communities. The families requested that their sons deny the offer to take part in the show. The families could accept that their sons were gay, but they could not face the judgment of their friends and neighbors. Society is still highly influential – ostracizing not only the gay son, but also the family that embraces him.

It is clear that family acceptance of a son who has relationships with men is just one of many steps on the road to dignity and equality for LGBT people in the Middle East. Empowerment for MSM cannot only be focused on the man himself – it must also include his family. Such pressure on families is high and rising all throughout the Arab world. It will not be easy to test the limits of a community's understanding toward a family that accepts their MSM son in the region. To say nothing of a son who is also living with HIV. Family empowerment is an essential part of the fight against stigma and for better rights, health, equality and access to HIV services in the Middle East.

It is clear that social change is possible in the Middle East, as evidenced by the sweeping revolutions of the Arab Spring. Some LGBT and HIV activists believe these events not only show that change is possible, but that we should push for the change we want right now, that we should strike while the iron is hot. While the Arab Spring presents new opportunities for change, a closer look at the forces that have shaped the course of events in the region also shows the pitfalls that must be navigated while pushing for our human rights.

When the Arab Spring began, it held within its wings a hope for change – change of many different kinds. Many MSM took to the streets to push for the changes we want to see. However, as event progressed, the words of the community were overshadowed by organized calls for change from the mosques, launched every Friday after ritual prayers. These calls began as free and genuine, but over time, they were guided more and more by religious clerks. And now? The Muslim Brotherhood is now more influential in Egypt than it ever was before. MSM were not the only ones to see an opportunity to tip events in their favor.

As religious conservatives are rising to fill the power vacuum, some gay Arab bloggers have been vocally concerned. "In Egypt and Tunisia there was a lot of hope initially that there would be a more tolerant civil society," said Dan Littauer, the London-based editor of Gay Middle East. "Now it seems that the impetus for change will be hijacked by conservative forces who will make the situation worse for gay people and other minorities… In Syria and other countries, there's a fear that gay people could be used as sacrificial lambs."

Despite these challenges, progress is being made. Until relatively recently, homosexuality was illegal in Lebanon. According to article 534 of the Lebanese Penal Code, any carnal activity between two people against the order of nature carried a punishment of up to one year in prison. This law resulted in many people put in jail, as well as the deportation of many migrant workers. However, in March of 2009, Judge Mounir Suleiman from Batroun court district made a landmark decision: he ruled that consensual homosexual relations are not against the order of nature, and thus such cases cannot be prosecuted under article 534.

"Whereas man is part of nature and one of its elements, and a cell within a cell in it, it cannot be said that any practice of his or any behavior of his is against nature even if it is a criminal act because it is the laws of nature," ruled Judge Suleiman. "If it rained in summer, if a heat wave struck in winter, or if a tree bore fruit after its usual time, it is all in accordance with the system and laws of nature for it is nature itself."

A beacon of hope? Perhaps, but certainly case to follow as we build our own path to the rights we deserve.

Eli Abu Merhi is a Lebanese activist and artist, whose work often expresses a critical observation of the community and transmits it with an upfront message that reflects the reality with all its beauty and ugliness. Holder of a law degree and an art student, Eli was born in Beirut, the capital of contradictions. He established OSE, organization for sexuality education in 2011 to lead TOT programs nation-wide defending gender equality, freedom of sexual orientation and liberties. He is currently a member of the MSMGF steering committee.

Saturday, December 29, 2007

Graphic novels explore the Middle East and Islam

New books from Joe Sacco, G. Willow Wilson, Lat and Anthony Lappé
By Laurel Maury, Special to The Los Angeles Times
December 23, 2007
American literati are shirking their duty to chronicle the nation's angst. The Iraq war is nearly five years old, and I've seen only two decent books of literary fiction on it. But comic books about the Middle East and Islam are a growing sub-genre. "Pride of Baghdad," "Exit Wounds," the long-running "DMZ" and the self-published series "Jobnik!" do what literary fiction doesn't: tell stories about what's troubling us.

Two new graphic novels and one notable reprint do this too. The new edition of "Palestine," written in the early '90s, includes an essay by author Joe Sacco; happily, it still has the original introduction by the late scholar Edward Said.

In "Palestine," well-armed settler boys parade the streets with Mr. Natural's keep-on-truckin' stride, but they're not peddling free-spirited hoopla; they're paranoiacs on patrol. Sacco is influenced by R. Crumb, but in place of Crumb's sexual unease, he shows his discomfort at being a First-Worlder amid Third World poverty.

Honesty about ignoble things is a staple of underground comics, and Sacco brings that to his evolving view of the Middle East. "They get me sick," he says, showing his frustration at Palestinians. "Their big, sad eyes. . . . Their empty pockets. . . . I want to kick them." This says as much about the West as it does about Palestinians.

G. Willow Wilson's lyrically beautiful "Cairo" is a modern fantasy that draws equally on Egyptian folk tales and current cultural tensions. Her complex plot begins when a drug smuggler steals the home of the Djinn, or spirit, who protects the word meaning "East." To resolve the crisis, a young American training in Egypt to become a terrorist must learn to be a hero.

The author converted to Islam in her early 20s and is married to an Egyptian, but her novel's structure is pure U.S. superhero comic book. The relationship between the American and the Djinn is that of pupil to master. "Fear is never a noble weapon. Ever," the Djinn tells the would-be suicide bomber. The beautiful Israeli soldier Tova owes a bit to "Buffy the Vampire Slayer" -- and a bit more to superheroes Black Canary and Kitty Pryde. Yet M.K. Perker's art has none of the stiffness (or bulging muscles and breasts) associated with comic book characters but, rather, the sweet looseness of the girlier side of hip-hop illustration.

"Shooting War" by Anthony Lappé and illustrated by Dan Goldman is a political satire. "I'm a liar, a fake, and a fraud," says video-blogging journalist Jimmy Burns, speaking into a WebCorder as he's about to die on a Baghdad roof. Sen. John McCain is president, Iraq is in ruins and only a few journalists remain. The book has two villains: the high-tech occupying troops, who fight remotely using video-game controlled robots, and a Muslim mastermind who, sadly, looks slightly recycled from some James Bond movie. The "aha" moment comes when our antihero realizes that his convictions, or really the lack thereof, don't matter at all.

The exaggerations in "Shooting War" feel scarily unlike exaggerations. "The great capitalist experiment is dying here in the cradle of civilization," Burns declares. "Marx is dead. Instead you gave us [philosopher Thomas] Hobbes. Which would you prefer?" Sounds like something I wish I'd said.

Given the silence in prose fiction, I hope comic books are up to this challenge. They might be. Comics require terse language describing larger-than-life circumstances. (Speech bubbles are small; Ming the Merciless is over the top.) This fits the mess in the Middle East. The terseness cuts through the doublespeak -- lies hide better in 1,000 words than in 20. The extreme descriptions fit the chaos. Funny how it's literature that is escapist and comics that are facing things head on.
Laurel Maury is a New York-based writer and critic.

Friday, October 26, 2007

Jordan's Queen Talks for Women and Education in LA Visit

Queen Rania's website

From the Los Angeles Times

Jordan's queen talks of women and education in L.A. visit

Queen Rania seeks to dispel stereotyped images of Muslim women

By Carla Hall
Los Angeles Times Staff Writer

October 25, 2007

Queen Rania Al-Abdullah of Jordan listened Wednesday morning to students at Taft High School in Woodland Hills chronicle their attempts at bridging multicultural gaps in their diverse student body. They talked of their organizations, their successes, their personal stories.

Then, microphone in hand, she sat on stage and, without so much as a note card, praised their various programs by name. The strife-torn Middle East could use a few of them, she mused.

"In my opinion, people who don't see eye to eye are standing with their backs to each other," Rania said.

"Ooohh," murmured the crowd.

"So you have to start with turning them around to face each other."

In the modern-day annals of royalty, women tend to fall into the category of the stately, matriarchal Queen Elizabeth or the paparazzi-hounded Diana, Princess of Wales.

Now Rania, the well-educated, multilingual wife of King Abdullah II of Jordan, is crafting a new sort of image. At 37, Rania chairs a variety of non-government organizations working on education and women's issues, as well as a micro-lending initiative, and has a website detailing it all.

She travels Jordan and the rest of the world speaking on issues that concern women, education and international relations. It's not unusual for royals to have portfolios thick with nonprofit deeds. And, to be sure, Rania owes something to her predecessor, Queen Noor al Hussein, the widow of the late King Hussein, Abdullah's father. Noor, too, is beautiful and versed in foreign policy. (The two women keep in touch by e-mail.)

But Noor is an American. Rania, born in Kuwait of a Palestinian father, is an Arab woman, a practicing Muslim on a mission to show the rest of the world that Arabs, particularly women -- "Muslim women are the biggest victims of stereotypes," she says -- are not the oppressed, terrorist-supporting, American haters that some people think they are.

In a day and a half of visits in Los Angeles, she moved with ease from the California Governor and First Lady's Conference on Women on Tuesday afternoon to a Q&A with Arianna Huffington that evening before an audience at Creative Artists Agency, and on to the Wednesday meeting with Taft students.

Although her messages were always about dispelling stereotypes and promoting multiculturalism, she subtly shifted argot for each appearance. She got a laugh when she said to a crowd of 14,000 gathered at the Long Beach Convention Center for the women's conference: "To hear some in the West, all Arab women are backward and oppressed -- while some Arabs assume all American women are desperate housewives seeking sex in the city."

At Taft, the Jordanian queen invoked Facebook and YouTube and lamented: "We have all this technology, but understand each other less."

At CAA's glistening marble and glass building in Century City, startlingly beautiful and dressed in Alberta Ferretti, she didn't flinch from foreign policy questions, whether they came from Huffington or a member of the audience, a well-heeled crowd that included the talent agency's staffers, invited guests and a sprinkling of celebrities -- producer Quincy Jones and director Taylor Hackford among them.

On honor killings of women, she said, "In Jordan, we have about 20 cases a year. For me, one is too many. This has nothing to do with Islam. . . . It's a misguided cultural undertaking."

Ever the diplomat from a country that prides itself on being modern and nonaggressive, Rania spoke of how Jordan -- a country of modest means at best -- takes care of its citizens and scrambles to cope with the 700,000 refugees of the Iraq War. "Jordan doesn't have any oil unfortunately -- or fortunately," she said at CAA. "It's made us focus on our human resources."

Everywhere she goes, she talks about her decision not to wear the hijab, the veil that Muslim women often wear. (In Jordan it is not mandatory.)

"I always say it's more important to judge a woman by what's in her head, not on her head," she told the Taft students, repeating a line she uses often.

Asked why she made the choice not to wear it, she said: "For the same reason that any woman decides how she wants to wear her hair or how she wants to dress. It's a personal choice.

She also thinks people in the West "attach some political implications to this item of clothing. To many people's minds, it represents oppression of women and powerlessness of Arab women and backwardness. . . . That's a misperception and something that needs to be corrected."

Rania was in the midst of a fledgling banking career in Amman when she met then-Prince Abdullah at a dinner party. She married him in 1993. Both she and her husband were caught by surprise when the dying Hussein decreed that Abdullah (and not Hussein's brother) would ascend to the throne of the constitutional monarchy.

Now she has her work -- she's fond of saying that being queen is a job -- and she watches over her four children, rationing their television and Internet time. "I think all parents have a responsibility to really know what their children are up to when they re on the Internet. . . . It's a dangerous place," she said. "It's a great medium, but like everything else you have to understand the pitfalls."

She has a nanny and a tutor to help her with Prince Hussein, 13; Princess Iman, 11; Princess Salma, 7; and Prince Hashem, 2. And when she's out of town, her mom stops by to check on the kids.

When she's not traveling, she and the king relax with their "House" and "Grey's Anatomy" DVDs or go to their beach house in Aqaba in south Jordan. She admits she enjoys shopping. "It's about self-expression," she said.

Some in Jordan think she should be more traditional. "Some people would like to see me be in a more conservative situation, where I'm not playing such a public role," she said. "But the point is representing my country is part of my job. . . . That means I have to go out and tell Jordan's story."

Thursday, September 27, 2007

CNN Segment on Gays in the Middle East

Gays in the Middle East 4:09
CNN's Hala Gorani talks to gay men who live in a society that doesn't accept homosexuality.

Includes interview with gay men in Saudi Arabia, Egypt and members of Helem, an LGBT community center based in Beirut, Lebanon.