As Taboos Ease, Saudi Girl Group Dares to Rock

From the New York Times

Jidda Journal
As Taboos Ease, Saudi Girl Group Dares to Rock

By ROBERT F. WORTH

Published: November 23, 2008

JIDDA, Saudi Arabia — They cannot perform in public. They cannot pose for album cover photographs. Even their jam sessions are secret, for fear of offending the religious authorities in this ultraconservative kingdom.

But the members of Saudi Arabia's first all-girl rock band, the Accolade, are clearly not afraid of taboos.

The band's first single, "Pinocchio," has become an underground hit here, with hundreds of young Saudis downloading the song from the group's MySpace page. Now, the pioneering foursome, all of them college students, want to start playing regular gigs — inside private compounds, of course — and recording an album.

"In Saudi, yes, it's a challenge," said the group's lead singer, Lamia, who has piercings on her left eyebrow and beneath her bottom lip. (Like other band members, she gave only her first name.) "Maybe we're crazy. But we wanted to do something different."

In a country where women are not allowed to drive and rarely appear in public without their faces covered, the band is very different. The prospect of female rockers clutching guitars and belting out angry lyrics about a failed relationship — the theme of "Pinocchio" — would once have been unimaginable here.

But this country's harsh code of public morals has slowly thawed, especially in Jidda, by far the kingdom's most cosmopolitan city. A decade ago the cane-wielding religious police terrorized women who were not dressed according to their standards. Young men with long hair were sometimes bundled off to police stations to have their heads shaved, or worse.

Today, there is a growing rock scene with dozens of bands, some of them even selling tickets to their performances. Hip-hop is also popular. The religious police — strictly speaking, the Committee for the Promotion of Virtue and the Prevention of Vice — have largely retreated from the streets of Jidda and are somewhat less aggressive even in the kingdom's desert heartland.

The change has been especially noticeable since the terrorist attacks of Sept. 11, 2001, when the Saudis confronted the effects of extremism both outside and inside the kingdom. More than 60 percent of Saudi Arabia's population is under 25, and many of the young are pressing for greater freedoms.

"The upcoming generation is different from the one before," said Dina, the Accolade's 21-year-old guitarist and founder. "Everything is changing. Maybe in 10 years it's going to be O.K. to have a band with live performances."

Dina said she first dreamed of starting a band three years ago. In September, she and her sister Dareen, 19, who plays bass, teamed up with Lamia and Amjad, the keyboardist.

They were already iconoclasts: Dina and Dareen wear their hair teased into thick manes and have pierced eyebrows. During an interview at a Starbucks here, they wore black abayas — the flowing gown that is standard attire for women — but the gowns were open, showing their jeans and T-shirts, and their hair and faces were uncovered. Women are more apt to go uncovered in Jidda than in most other parts of the country, though it is still uncommon.

"People always stare at us," Dareen said, giggling. She and her sister are also avid ice skaters, another unusual habit in Saudi Arabia's desert.

The band gets together to practice every weekend at the sisters' house, where their younger brother sometimes fills in on drums. In early November, Dina, who studies art at King Abdulaziz University, began writing a song based on one of her favorite paintings, "The Accolade," by the English pre-Raphaelite painter Edmund Blair Leighton. The painting depicts a long-haired noblewoman knighting a young warrior with a sword.

"I liked the painting because it shows a woman who is satisfied with a man," Dina said.

She had thought of writing a song based on "Last Supper" by Leonardo da Vinci but decided that doing so would be taking controversy too far. In Saudi Arabia, churches are not allowed, and Muslims who convert to Christianity can be executed.

Dina held out her cellphone to show a video of the band practicing at home. It looked like a garage-band jam session anywhere in the world, with the sisters hunching over their instruments, their brother blasting away at the drums and Lamia clutching a microphone.

"We're looking for a drummer," Lamia said. "Five guys have offered, but we really want the band to be all female."

Although they know they are doing something unusual, in person the band members seem more playful than provocative. Unlike some of the wealthier Saudi youth who have lived abroad and tasted Western life, they are middle class and have never left their country.

"What we're doing — it's not something wrong, it's art, and we're doing it in a good way," Dina said. "We respect our traditions."

All the members are quick to add that they disapprove of smoking, drinking and drugs.

"You destroy yourself with that," Lamia said.

Yet rock and roll itself is suspect in Saudi Arabia in part because of its association with decadent lifestyles. Most of the bands here play heavy metal, which has only added to the stigma because of the way some Western heavy metal bands use images linked to satanism or witchcraft. In Saudi Arabia, people are sometimes imprisoned and even executed on charges of practicing witchcraft.

The first rock bands appeared here about 20 years ago, according to Hassan Hatrash, 34, a journalist and bass player who was one of the pioneers, and their numbers gradually grew. Then in 1995, the police raided a performance in the basement of a restaurant in Jidda, hauling about 300 young men off to jail, including Mr. Hatrash. They were released a few days later without being charged. There is no actual law against playing rock music or performing publicly.

"After that, the scene kind of died," he said.

Mr. Hatrash, who has graying shoulder-length hair, recalled how the religious police used to harass young men who advertised their interest in rock and roll. He once had his head was shaved by the police.

In recent years, with the religious police on the defensive, bands have begun to play concerts, and a few have recorded albums. Occasionally young men bring their guitars and play outside the cafes on Tahlia Street in Jidda, where young people tend to congregate in the evenings.

Although the music is mostly familiar to heavy metal fans anywhere — thrashing guitars and howling vocals — some of the lyrics reflect the special challenges of life and love in this puritanical country.

"And I Don't Know Why," a song by Mr. Hatrash's band, Most of Us, has these lyrics:

Why is it always so hard to get to you

When it's something we both want to do

Every time we have to create an alibi

So that we can meet and love or at least try...

As the Saudi rock scene grew, Dina gathered the courage to start her own band. It plans to move slowly, she said, with "jams for ladies only" at first. The band members' parents support them, though they have asked them to keep things low-key. Eventually, Dina said, they hope to play real concerts, perhaps in Dubai.

"It's important for them to see what we're capable of," she said.

Still With Taboos, Saudi Art Scene Grows

From the Associated Press - November 27, 2008

Still with taboos, Saudi art scene grows

By DONNA ABU-NASR
Associated Press Writer

RIYADH, Saudi Arabia — Saudis and foreigners crowded into a gallery at the French Embassy, checking out the paintings and sculptures of seven Saudi women artists, the latest opening in a growing art scene in the conservative kingdom.

One artist took advantage of the venue to hang an abstract painting of a woman, with one breast clearly depicted — a hint of nudity still taboo outside the diplomatic confines of the embassy, where Saudi Arabia's religious police cannot enter.

(enlarge photo) Saudis look at artwork during the opening of art exhibition featuring the work of seven Saudi female artists at the French Embassy in Riyadh, Saudi Arabia, Wednesday, Nov. 26, 2008. (AP Photo/Hassan Ammar)

The Wednesday night showing in a small hall was packed with expatriates and, more significantly Saudis, whose presence was a reflection of the surge of interest in the arts in the kingdom in the past few years. Local arts shows have been on the rise, more Saudi artists are participating in overseas exhibits, and more universities and schools are offering arts degrees.

The first non-governmental arts society was established a year ago, with four women on its 10-member board. Saudis have become more accepting of abstract art, which, only a few years ago, was the subject of ridicule. And in many Arab cities, Saudi collectors are snapping up works by local artists, some of whom get special orders from their rich clients.

In a sign of the government's attempts to support the arts, the Foreign Ministry and the tourism board held a kingdom-wide competition last year for the best works of art. Those chosen will be displayed in the kingdom's embassies.

The change is dramatic from a few years ago.

In 2001, when one of the artists in Wednesday's show, Manal al-Harbi, enrolled for her masters in sculpture, she was the only student in the only university that gave a degree in that major. The specialty was frowned upon by many because of a prevalent view that the depiction of human form violates Islamic law and that sculptures look like idols.

"They would bring me teachers from Egypt," recalled al-Harbi, whose sculptures depict Arabic calligraphy, not humans.

Despite the progress, there still are limitations in this conservative country, where men and women are strictly segregated. Artists say they keep works that depict nudity away from public shows and if they display them at all, it's only at embassies.

At the French Embassy, abstract paintings in bold yellows, reds and greens adorned the walls. Sculptures made of rocks from various areas in the kingdom rested on one stand.

On one table stood the work of artist Eman Jibreen, expressing the dichotomy between a Saudi woman's public appearance and her inner self. A series of tall boxes were painted on the exterior with images of Saudi women swathed in the mandatory black cloak. Inside each box were pictures of Albert Einstein, a child, a kitchen — an expression of each woman's individuality that is masked by the cloaks.

A nearby caption read:

"We may look the same to you

"A scarf and a featureless black blob. ...

"But it is just a cover over our heads. Our faces maybe.

"But it has never been a cover for our brains."

Jibreen's uncle, Abdul-Rahman Jibreen, said he was overjoyed to see his niece's work displayed in public.

But he said he wished Jibreen, who did not attend the function because of another commitment, lived in "an environment that appreciates art more than here."

"In a place like Italy, France or England, she would've done miracles because she would've been exposed to more museums, art and other artists," he said.

Mumbai Attacks Stun South Asian; North American Muslim Organizations Condemn Terror Attacks

From the Daily Times of Pakistan - November 30, 2008

Mumbai attacks stun South Asia

* Civic bodies condemn attacks, demand swift justice
* Denounce terrorism, term attacks crime against humanity

By Khalid Hasan

WASHINGTON: While the Mumbai terrorist attacks have stunned the large South Asian population living in the capital and its adjoining areas, a number of Pakistani-American organisations have issued strong condemnations of the outrage and expressed sympathy for those who lost their lives.

The Association of Pakistani Physicians of North America (APPNA) denounced the brutal attacks that ended in the loss of innocent human lives. The group said it believes that no cause justifies indiscriminate attacks against civilians and no religion endorses terrorism.

The APPNA said it views these despicable acts in the context of global terrorism and considers them a vicious effort to further destabilise the region. While offering its deepest sympathies to the families of the victims and the wounded and expressing its solidarity with the people of India, APPNA urged Indo-Pak physicians living in North America to join hands and work towards bringing peace and prosperity to South Asia.

Expressing its profound sense of grief over the loss of precious lives in Mumbai, the American Muslim Alliance has condemned the co-ordinated terror attacks on India's premier city. The group said, "We urge the authorities to bring the culprits to justice. We also urge all concerned communities and countries to help restore calm and work for the eradication of the root causes of this violence."

The Islamic Medical Association of North America also condemned the terror strikes in Mumbai in the 'strongest possible terms', while expressing solidarity with the families of the victims.

Terrorism: Dr Hafeezur Rehman, president of the association, said, "No religion breeds terrorism and terrorism serves no good cause. Such heinous acts are crimes against humanity and they should be countered with the most severe response. Those responsible for these crimes against humanity must be brought to justice swiftly. Islam considers the use of terrorism for any purpose totally unacceptable."

The Pakistani American Leadership Centre strongly condemned the Mumbai attacks, which have left nearly 200 dead and close to 370 wounded. "Our immediate thoughts and prayers are with the victims, their families and their loved ones," it said in a statement. The group said it is encouraged by the immediate repudiation of the attacks by the Pakistani government and notes that Pakistan's Foreign Minister Shah Mehmood Qureshi had just concluded talks in India with his Indian counterpart on terrorism, trade, and the loosening of visa restrictions between the two countries.

The statement hoped that discussions aimed at normalising Pakistan-India relations would continue, demonstrating the resolve of both nations to achieve sustainable peace for the benefit of the citizens of both countries and the world.

"Faced with the indiscriminate violence of terrorism, we must find our common humanity and unite to act as one against such acts to bring peace, prosperity, and stability to the region," the group said.

Mumbai: Behind the Attacks Lies a Story of Youth Twisted by Hate

From the Guardian - November 30, 2008

Mumbai: Behind the attacks lies a story of youth twisted by hate

The intense poverty and extreme religious culture of the southern Punjab have made the region a hotbed for Islamist terror groups. It is, claim the Indian media, the seedbed of last week's slaughter in Mumbai. Jason Burke travelled to the twin towns of Bahawalpur and Multan, home of alleged killer Mohammad Ajmal Mohammad Amin Kasab, to discover what impels young men to unleash carnage.

Article continued from the Guardian.